The past is a grotesque animal

I live in Minneapolis, ardently. Sometimes I have more to say.
The room’s windowlight is darkening to that Kaopectate shade that has always marked the just-pre-sunset time of day that Gately (like most drug addicts) has always most dreaded, and had always either lowered his helmet and charged extra-murderous at somebody to block it out (the late-day dread) or else dropped QuoVadis or oral narcotics or turned on Mr. Bouncety-Bounce extra loud or busied himself in his silly chef’s hat in the Ennet House kitchen or made sure he was at a Meeting sitting way up close in nose-pore range, to block it out (the late-day dread), the gray-light late-afternoon dread, always worse in winter, the dread, in the winter’s watered-down light—just like the secret dread he’s always felt whenever everybody happened to ever leave the room and left him alone in a room, a terrible stomach-sinking dread that probably dates all the way back to being alone in his XXL Dentons and crib below Herman the Ceiling That Breathed. Infinite Jest, re: The Gloaming

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